For this photo below, I used one light to take cloudy evening and turn it into a drama filled scene:
I really enjoy this setup, I use it often, and it's actually quite simple. One speedlight, one modifier, placed overhead at a close distance. Here it is:
This technique is best for dramatic lighting with sharp light falloff. Using a sturdy boom stand from Manfrotto and one of my go-to location modifiers, the Saberstrip.
Here's another view of the lighting:
Model: Madeleine Acton
Designer: Sarah Rechtoris
Till next time,